I explore forms, textures and moods of the world around me. I can be sharp and focused, or I can dissolve into the softness of a moment. For me it’s important not just to observe, but to enter into a dialogue with space, people and atmosphere. Every day I look for new ways to tell stories through the body, the gaze, silence and movement.

I am deeply interested in contemporary architecture and urbanism. I can talk for hours about how light falls on concrete, how sound reflects in empty halls, or why some spaces create a feeling of freedom while others create pressure. I travel not for pretty pictures, but for the pure sensation of a city: wandering through industrial districts, climbing rooftops, searching for places where the past collides with the future. These observations become part of my inner language.

I seriously practice contemporary dance and improvisation. Movement is a way for me to speak about complex things without words. I train almost every day, exploring the limits of the body, attention and presence. I work with different techniques from contact improvisation to more rigorous and experimental approaches. Through movement I learn to be precise, free and authentic at the same time.